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Editorial Charges: Pragmatism
Pays In the USA payment for editorial is virtually unheard of, but in many parts of
the world it is commonplace. Over the last decade separation charges, service charges or handling
charges as they are often called, have become common in UK media. Here is a simple way to deal
with editorial charges (whatever their name).
Ten Things You Should Do
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Live and let live. Media owners cannot
survive on the prose provided free by public relations companies or in-house PROs, however good
it is. Many media outlets would not exist based on the revenue gained from the notional cover
price alone. Advertising is their life blood and someone has to advertise to sustain the media.
Therefore, treat all requests professionally and politely.
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Keep news values prominent in your editorial.
If material sent for publication focuses on news values, rather than self praise, there is less
scope for the editor to think someone is after free publicity.
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Budget. If a campaign does have a
strong product focus and you know it will attract charge requests then decide at the outset to
allocate a suitable budget to cover some charges. The likely source for this funding is the advertising budget.
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Treat all supported editorial as advertising.
Whatever name it is given – separation charge, handling charge, administration charge and so on – if
space is being allocated in exchange for payment then it is by definition advertising and should
be treated as such.
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Only Fools rush in. Wait until all
requests are made before deciding which ones to support with your limited budget.
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Evaluate the media profile for each request.
Is the media outlet read, viewed or browsed by the right kinds of people – those who would normally
be involved in the decision making or purchase process? Check the media pack for statistics.
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Evaluate reach. Do the numbers stack
up? What proportion of the total readership, viewers or browsers, meet the ideal profile and
how does this compare between the different titles. Don’t forget that publisher certified readerships
may be less reliable than those with independent certification from bodies such as ABC (in the
UK).
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Evaluate the offer. What space is
being offered in exchange for the charge? If an editor wants £200 for separations on pictures
that support your 1500 word feature article to be used in full, then it would be foolish not
to accept. If, however, your 500 word case study press release is to be reduced to 50 words and
a postage stamp picture for £200, then this is a bad deal and may not convey your message properly.
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Rank for acceptance according to value to
you. Based on the above criteria, all offers can now be evaluated with a degree of objectivity
and you can cream off the best to a point where the allocated support budget has been used up.
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Feedback. Ask for a copy of the journal
to check the item was published as agreed. Where possible, monitor resulting leads, phone traffic,
web hits, and so on to gain a measure of the quantity and quality of response. Use this feedback
to guide future budget and media allocation.
Five Things You Should Not Do
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Don’t pay charges to media outlets that
were not sent the original material. There are unscrupulous publications that search the
web and other journals for stories that they will publish if you pay them a fee. These are
often marginal publications with little subject focus and suspect audience figures – Don’t
entertain them - save your money!
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Don’t allow fear of separation requests
to limit media distribution. If your message is relevant to a journal’s audience, then
send it. Many editors still judge material on merit and may well publish irrespective of whether
you are prepared to pay a fee.
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Don’t be rude to advertising people.
Everyone is doing a job and the pressure of deadlines can cause some callers to seem aggressive.
It is best to stay calm, professional and objective to keep relations friendly.
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Don’t rush to accept offers. Even
if an closing deadline is imminent – follow procedures 5, 6, 7, 8, and 9 above so you spend your limited
funds wisely.
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Don’t overplay innocence. PR virgins
can legitimately claim that this is their first editorial release and are they are testing the
market and the media to see which channels work best before deciding future priorities. This
line only works once.
Further Reading
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Title |
Author |
Publisher |
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Advertising Media Planning |
Jack Z. Sissors |
Contemporary Books |
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Planning for Power Advertising: A User's Manual for Students and Practitioners |
Anand Halve |
Response Book |
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