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Evaluating PR Pitches – Getting
Beyond the Beauty Contest
Sadly, the pitch is often the high point in the agency/client
relationship. Agencies may over promise and under deliver, but
equally clients may brief poorly or be seduced by showmanship or
short term tactics. Objective evaluation is the answer.
Ten Things You Should Do
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Know what
you want. Participants should all have received the same
clear brief setting out your objectives and what you expect them
to achieve. The pitch brief should indicate the structure of the
presentation you want.
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Have a
scorecard. Decide beforehand which factors are most
important to you and have a weighted scorecard. Key factors may
include, among others: relevance of the pitch to the brief,
understanding of the issues affecting your business,
appropriateness of the communication message, relevance of media
selected, integration of old and new media to maximise impact.
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Find out who
will do the work. The people who present to you should be
the people who will be working on your account. Be wary of
professional pitch teams, they are often very impressive, but of
no use to you if they will have little or no day-to-day
involvement with your account.
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Look at team
and company stability. How long has the business been
going, how long have the people who will be working on your
account been working together? Do they seem to work well as a
team? What is the rate of staff turnover? Finally, does the
company have long term customers, or high rates of churn?
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Try the
day-after test. See what you remember of the presentations
the day after.
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Look at the
proposal document. Most communication has a major written
element. Ensure that the written proposal and the presentation
you have received carry the same message. Is the document clear
in its analysis of the situation and presentation of ideas? Is
there real substance in the proposal, and is it convincing?
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Enthusiasm.
This is a good test. If the people who present to you are
knowledgeable and enthusiastic about their existing clients then
they are likely to be about you.
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Apply the
reality test. Are the ideas presented practical? To what
extent are the campaigns stunt-driven (events, awards, surveys,
sponsorships or personalities) or news driven (people, products,
projects, etc.) and what is the right balance for you?
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Personal
chemistry. Ensure that you are comfortable working with
your chosen service provider.
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Flexibility.
Ensure that your provider can adapt their service to your needs,
this means both growing with you and scaling their service to
meet variability in your demand for their services.
Five Things You Should Not Do
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Don’t be
dazzled by personality and technical wizardry. A degree of
showmanship is fine, but behind this there must a substantial and
workable proposal.
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Don’t be
sold something you didn’t ask for. Each company pitching
will have particular experience and strengths, but don’t allow
this to dictate your direction.
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Don’t be
swayed by size. Big companies are not necessarily better
than small ones, the quality of resources devoted to your account
will depend on how thinly the team is spread over a number of
clients. If someone puts up a big pitch team someone has to pay
for it – and it could be you!
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Don’t be
short term. Look for a company that you will be
comfortable working with for the next three to five years at
least
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Don’t buy on
price. This works both ways. PR is a professional service
and you need to pay the right rate for the talent you want to
work with you. On the other hand, you do not wish to pay high
rates to subsidise sharp suits in swanky offices.
Further Reading
|
Title |
Author |
Publisher |
|
Pitching for Business: A Complete Guide to
Winning Beauty Contests in Business |
Greville Janner |
Random House Business Books |
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© Ainsworth
Maguire
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