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Commissioning Photography for PR Pictures tell
a story better than words. Photography is an essential element in public relations but
commissioning professionals can be expensive. It is therefore vital to make sure you provide
a detailed brief and, if you are directly involved in some way, be properly prepared
yourself.
Ten Things You Should Do
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Write down a proper brief.
This should contain details of the location, expected site conditions, contacts with whom
the photographer will need to co-ordinate, an itemised list of the shots
required, the kind of photographic medium to use: digital, negative film, transparency
film and so on.
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Make sure your chosen photographer
gets the brief in good time. They may wish to visit locations before the day of
shoot to assess site conditions for themselves.
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Advise all parties to be prepared.
Especially at locations where photography is to take place. If uniforms are involved, make
sure staff have new ones.
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Check safety issues. If any
employees are to appear in the pictures, then ensure they are wearing and/or using any mandatory safety equipment
and procedures. Remember too, that the photographer may also need appropriate safety
clearance, clothes and equipment.
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Now is a good time to clean
thoroughly. Make sure any products or company signage that may appear in pictures
are thoroughly clean. A camera lens in the hands of a professional will show those sticky
fingerprints!
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De-clutter. Tidy up
unnecessary clutter and mess in areas where you expect the photographer to take good
pictures. Remove calendars and any sensitive company information you definitely don’t want
to appear.
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Fix those broken lights.
Photographers will usually bring their own lighting. However, rows of missing light tubes
never look good in pictures.
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Always use new product if you can.
For tabletop photography of smaller products, make sure each product is in perfect
condition, bag and label it for the photographer.
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Think about scale. Sometime
small components give no sense of scale once photographed. Therefore, ask the photographer
to include a small coin, ruler or some other comparison of size in the picture.
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Be on hand yourself if you can.
Sometimes the best shots come from improvisation on the day. The photography may need your
quick authorisation to gain full co-operation of other staff members or gain access to
more sensitive areas.
Five Things You Should Not Do
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Don’t ask an architectural
photographer to take portraits. There are no hard and fast rules but most
photographers have their speciality - food, buildings, people, site, small components,
aerial and so on.
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Don’t expect staff to take
professional pictures. Most of us can drive cars but we can never be racing
drivers! Modern digital cameras help novices to take better pictures - but not
professional pictures.
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Don't expect perfect conditions.
The sun probably will not shine if commissioning photography in winter - or summer come to
think of it. If you can be flexible with timing, give the photographer chance to consult
weather forecasts for the best possible conditions.
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Don’t be upset if a photographer
tells you he can’t take pictures. Even though the sun is shining and all the
conditions look perfect, there is usually a reason - wind! A professional uses a heavy
tripod and slow shutter speeds to achieve pin-sharp pictures - wind wobble can be as big a
problem as a dark rainy day.
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Don’t assume third parties will
co-operate. If you need their permission for site or other forms of access for the
photographer ask and getting it in writing. Give the photographer a copy, so they
can show it on-site.
Further Reading
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Title |
Author |
Publisher |
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Digital Photography: Expert Techniques |
Ken Milburn |
O'Reilly |
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Mastering Digital Photography |
David D Busch |
Course Technology |
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© Ainsworth
Maguire
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